TITLE:
The Down Home Zombie BluesAUTHOR:
Linnea SinclairCOPYRIGHT: 2007
PAGES: 517
PUBLISHER: Bantam
SETTING: Contemporary US and a spaceship!
TYPE: Sci-fi romance
SERIES: Not sure, there might be sequels coming
REASON FOR READING: Love this author.
Bahia Vista homicide detective Theo Petrakos thought he’d seen it all. Then a mummified corpse and a room full of futuristic hardware sends Guardian Force commander Jorie Mikkalah into his life. Before the night’s through, he’s become her unofficial partner—and official prisoner—in a race to save the earth. And that’s only the start of his troubles.
Jorie’s mission is to stop a deadly infestation of biomechanical organisms from using Earth as its breeding ground. If she succeeds, she could save a world and win a captaincy. But she’ll need Theo’s help, even if their unlikely partnership does threaten to set off an intergalactic incident.
Because if she fails, she’ll lose not just a planet and a promotion, but a man who’s become far more important to her than she cares to admit.
Christmas is fast approaching when Detective Theo Petrakos' life goes weird. First, his team gets called in to investigate a very strange corpse, one that looks all dried up and mummified, but with strangely moist eyeballs (and that was a very effective image... euww!). Finding some very mysterious tech equipment in the corpse's house, Theo takes it in as evidence. But on the way to the police station he does a quick stopover at his house, and that's when all hell breaks loose.
First, a strange but beautiful woman shows up and tries to take the evidence from him, just to be interrupted by a very, very strange, murderous creature which just
materialises in his back yard. A pitched battle ensues, and when he and the strange woman kill the creature and Theo thinks all is safe, then the weirdness just increases. Suddenly, Theo finds himself in a spaceship, to which he's clearly been beamed up.
The woman in his backyard is Commander Jorie Mikkalah, from the Guardian Force. Jorie's team's role is to protect the universe from infestations of "zombies" (what they call creatures such as the one in Theo's back yard). These zombies are not undead people... to cut the story short, they were engineered by Jorie's people centuries earlier to patrol trade routes, but something went wrong with them and they started operating independently. Unfortunately, operating independently means that they slaughter masses of the inhabitants of the worlds they occupy, so Jorie's team tries to go in as soon as possible to prevent it from happening.
When the target is a world already in the loop about what's really going on in the universe, things are straightforward enough. The Guardian Force will just work with the locals to get rid of the zombies. However, when the target is a nil-tech world, like Earth, stealth is needed, because the Guardians have learnt through experience that nils are very suspicious of aliens, and that they tend to get very aggressive very fast.
The standard way of dealing with particular nils who find out about the existence of the Guardians is to relocate them to the lovely world of Paroo (a sort of Hawaii on steroids), and that's what's supposed to happen to Theo now. But Theo is determined not to be sent away from his beloved world and his community, not to mention his family and friends, and he manages to negotiate a bit of a stay-of-execution. The Guardian Force's man (alien?) on Earth has become a victim of the zombies, and so they'd be operating blind. Theo is perfectly placed to help them out with his local knowledge, and help them save the planet.
But plans go wrong soon after they go back and Jorie finds herself stranded on Earth, cut off from the support of her mothership and her systems. If she wants to keep the zombies from taking over the Earth (and possibly later the whole universe as well, because it soon becomes clear that this is not a run-of-the-mill zombie infestation), she's going to need to trust Theo and his nil comrades and work with them.
Oof, that was a long summary, but necessary to explain the setup (it doesn't feel complicated in the book, I have to say). I really like Sinclair's mix of sci-fi, adventure and romance, and while this one doesn't reach the amazing wonderfulness of the last I read by her, Games of Command, it was pretty damn good.
The plot is interesting, with plenty of twists and turns (and I loved the teamwork that develops), and the world-building is well-done, but what I liked best was the romance. Both Jorie and Theo are a bit older than your usual romance character, and indeed, they feel more mature. They're both very invested and competent in their chosen fields, and this is very important to both. There's a lot separating them, obviously, what with Jorie being from another planet and speaking a language which while similar to English, is not
quite the same (some pretty nice comic relief from that). But even with all that, they click. There's more than enough closeness in the persons they are deep inside that it compensates for all the outward differences. I also liked that though both are coming out of really bad relationships, this affects them in realistic ways. No "all men/women are evil just because I knew one who was" from Theo or Jorie!
For all the action, there was a lot of character and romance development. However, for all the action, there were also times when the book dragged a little bit. It's a long book, and it felt like it could use some tightening. Not an awful lot, though, and I enjoyed it.
MY GRADE: A very solid
B.
Sunday, November 08, 2009
The Perfect Poison, by Amanda Quick
TITLE:
The Perfect PoisonAUTHOR:
Amanda QuickCOPYRIGHT: 2009
PAGES: 352
PUBLISHER: Putnam
SETTING: Victorian England
TYPE: Paranormal romance
SERIES: Part of the
Arcane Society series
REASON FOR READING: I always get to Quick's books, sooner or later
Victorian London holds many secrets. But none are so closely guarded as those of the shadowy Arcane Society. In her suspenseful new novel, New York Times-bestselling author Amanda Quick delves into this underworld of passion, greed, and powers that lie beyond this realm . . .
Plagued by rumors that she poisoned her fiancé, Lucinda Bromley manages to live on the fringes of polite society, tending her beloved plants-and occasionally consulting on a murder investigation. For the notorious botanist possesses a unique talent: She can detect almost any type of poison, especially ones that have their origins in the botanical kingdom.
But the death of a lord has shaken Lucinda to her core. At the murder scene, she picks up traces of a poison containing a very rare species of fern. So rare, in fact, that only one specimen exists in all of England-and it was stolen from her conservatory just last month.
To keep her name out of the inquest and to find the murderer, Lucinda hires fellow Arcane Society member Caleb Jones who runs a psychical investigation agency. A descendant of the founder of the Society, Jones is very skillful at protecting its secrets-and frighteningly good getting at the truth. Immediately, Lucinda senses both a raw power and an undeniable intensity in the imposing man.
But as a nearly overwhelming desire blooms between Caleb and Lucinda, they are drawn into the dark heart of a deadly conspiracy that can be traced to the early days of the Arcane Society -and to a legacy of madness that could plunge Caleb into the depths of his own tortured soul...
The Perfect Poison tells the story of notorious suspected poisoner Lucinda Bromley and of Caleb Jones, the founder of the Jones detective agency that has featured in all the Arcane Society novels, both historical and contemporary.
Ever since her fiance was found poisoned, botany talent Lucinda Bromley has find herself under suspicion and ruined, as far as society is concerned. This actually gives her some freedoms, like being able to assist a detective who happens to be a member of the Arcane Society whenever a potential poisoning case comes up. Lucinda's talent allows her to detect the psychic auras of all kinds of plant-related substances, even to the point of being able to detect individual components of a potion. This is very useful in determining exactly what the victim has ingested, especially considering only very few tests for poison exist at the time the action is set.
It is while Lucinda is helping out her detective friend that finds cause to seek out Caleb Jones. Lucinda realises that the victim in her latest case was killed with a poison containing a very rare plant, one, in fact, she and her botanist father brought back from an expedition in the Amazon jungle. That plant was stolen from her conservatory quite recently, and since it was very likely her specimen was the only one in England, Lucinda fears she might come under suspicion.
How anyone without her particular talent would have detected the plant, much less know it was a plant she had in her conservatory, I never really understood, but be that as it may, Lucinda decides to ask Caleb Jones to investigate the case and find the real poisoner, before blame falls on Lucinda herself.
Caleb thinks having to deal with clients is the only bad part of being an investigator, but Lucinda is different. He's eager to take her case, and not just because he quickly realises it's linked to his ongoing pursuit of the secret cabal that's been mucking about with the dangerous Founder's Formula (see all the previous books in the series; the secret cabal and the Founder's Formula have been an ongoing issue -and a pretty boring one, at that!). For all that he and Lucinda bicker, there's a definite connection there, one that makes him regret more than ever the fact that over the years, Jones men with his particular talent have invariable gone insane.
I think this one was a bit better than previous Arcane Society installments, mainly because the tedius plotting and planning of the secret cabal was a bit more unobtrusive. What was there was old-hat and repetitive (yet again, we get that scene where hero and heroine break into the house of a suspect and find a dead body. It's in every single Quick book, I think), and the balance between suspense and romance did lean more towards suspense than it used to in those vintage Quick books that put her in my favourites list, but less than in previous books, and we did spend less time in the villains' POV.
And the romance was good. Very good. Quick excels at showing the intimacy and sense of connection between her hero and heroine, and this was very definitely the case here. You really
get what it is Caleb sees in Lucinda and what she sees in him. You also get, especially from Caleb, a sense of the total need and craving he feels for what being with Lucinda gives him.
There's also a secondary romance that's nice, if unexciting, and some good secondary characters, but really, it was all about the romance for me.
MY GRADE: A
B.
Friday, November 06, 2009
The Countess Takes a Lover, by Bonnie Dee
TITLE:
The Countess Takes a LoverAUTHOR:
Bonnie DeeCOPYRIGHT: 2008
PAGES: 150
PUBLISHER: Samhain
SETTING: 19th century England
TYPE: Erotic romance
SERIES: Related to
The Countess Lends a HandREASON FOR READING: The plot!
Who is learning more, the novice or the master? Countess Meredith du Chevalier, a widow with a reputation for being sexually adventurous, is intrigued when she is approached by a gentleman who wishes her to "make a man" of his son. Sensing a passionate man beneath Christopher Whitby's reserved exterior, Meredith takes on the challenge, inviting the botanist to her country home to revitalize her abandoned greenhouse. Chris finds people to be a chaotic, animalistic species, and has chosen to devote his life to the study of plants. One kiss from the vivacious countess, however, and his inner animal is aroused. But lust is only a fraction of what he feels for the vulnerable woman hiding behind a brittle façade. He resolves to coax her to grow until her petals unfurl in a glorious bloom. To her surprise, Meredith finds Chris brings much more to life than just fallow soil. But just as their love begins to thrive, he learns about the secret arrangement. Meredith must risk her heart for the most dangerous lesson of all-love.
The jaded rake taught to love by the innocent virgin heroine has been done to death, and it's not a plot that will tempt me to buy the book. Stories with the same plot but with a role reversal, however, will, but I seem to be only one of very few, because such plots are really rare. I make a point of buying any I become aware of, and if, like this one, the author is one I've liked in the past, so much the better!
The jaded rake (rakess?) in this story is Countess Meredith du Chevalier. A widow, she takes full advantage of the freedom given to her by her status, especially after what a very unhappy marriage, where the sex was something to be endured, rather than enjoyed.
When one of her acquaintances proposes an exchange of favours, with her part being to take his botany-obsessed son in hand and teach him "how to be a man", Meredith isn't amused. She might enjoy her sexuality, but she's not a courtesan. However, the young man intrigues her, and she decides to go for it (not to mention that the favour she will receive in return is something she really wants).
Christopher Whitby can barely believe it when the beautiful countess, the first woman he's ever felt really attracted with, indicates she shares his feelings. He can't but accept her invitation to help her with her greenhouse, an invitation she mades clear can include other things, if he feels so inclined.
I really enjoyed the dynamics of their relationship. Meredith starts out as the one in control, the instructor, but soon finds that she's starting to feel way too much to be coolly and impersonally controlling. Before long, the relationship is one of equality (fortunately, the roles don't flip, which would have annoyed me). Meredith is quite a vulnerable character, but I liked that this wasn't done by making her weak and needy, but by showing that even though she didn't know it, falling in love with Chris makes her a happier person.
Chris was a lovely nerdy hero, and I loved how completely into Meredith he was. He feels no need to replace Meredith in the dominant role and doesn't come across as at all weak for it. The only thing about him that I was doubtful about was that he was possibly a bit too much of a fast learner for someone who'd previously had absolutely no experience. Oh, well, I suppose that's just in the best tradition of all those sex-kitten virginal heroines who instinctively know all those sophisticated techniques that bring the heroes to their knees :)
This is an extremely character-driven story, the best sort of erotic romance, where the sex is not there to titillate, but to develop the characters and their relationship. This is a subject that's been on my mind lately with the whole to-do going on about erotic romance, and this book is a perfect example of why I don't think sex that pushes the envelope is a necessary feature of it. There's nothing too kinky or even too unusual happening in the bedroom here, and yet it's all very, very steamy, for the simple reason that those scenes are as much about the feelings involved as about the body parts.
The result is that it's a surprisingly effective romance. I believed that these two people were truly in love. I think I was a bit worried about Chris' feelings leaning towards hero(ine)-worship of Meredith (it was something mentioned in the AAR review, which I read before reading this, IIRC), and while I thought things could go that way for a while (and that the AAR reviewer had a point), I was soon convinced that this wasn't the case.
The book loses a bit of steam near the conclusion, when the necessary conflict emerges and Chris finds out just why Meredith approached him initially, but still, it ends on a high note.
MY GRADE: A
B.
Wednesday, November 04, 2009
Nothing to Fear, by Karen Rose
TITLE:
Nothing to FearAUTHOR: Karen Rose
COPYRIGHT: 2005
PAGES: 434
PUBLISHER: Headline
SETTING: Contemporary Chicago
TYPE: Romantic suspense
SERIES: All of Karen Rose's books are interrelated, to some degree. Specific details
here.
REASON FOR READING: Continuing to explore Rose's backlist

As director of an inner-city woman's shelter, Dana Dupinsky safeguards many secrets. Some are new identities; some are new addresses; and some are even hidden truths about herself. Passionately dedicated to Hanover House and the women she protects, Dana has always been reluctant to look for love. But now, just as a case puts her and a child in mortal danger, it seems that love has come looking for her.
Security expert Ethan Buchanan learned to stalk men in the Afghan desert. Now he vows to track down the ruthless woman who kidnapped his godson-and falling for Dana is not in the plan. Yet her very presence seems to chase away the ghosts that haunt him, and her skillful evasion of personal questions raises his hunting instincts. For there's a deadly new secret at Hanover House. A brutal killer is weaving a web of revenge with a stolen boy at its center. And Dana is the next victim on the list...
Nothing To Fear isn't a whodunnit. We know who the villain is from the very beginning. Sue Conway is out of jail and bent on revenge against those she believes put her there. She has a plan, a very detailed one, and the first step is kidnapping a deaf 12-year-old child. She needs a place to lie low, and her mind turns to a place she was told about by another prisoner: a refuge for battered women.
Dana Dupinsky runs the shelter in question, Hanover House, and at first, this new woman who comes in with her son seems just like any other. Before long, though, Dana starts sensing something wrong, but tells herself she's imagining things.
At the same time, Dana's distracted by other things, like her developing relationship with Ethan Buchanan. Ethan's godson (a deaf 12-year-old, does that ring any bells?) was recently kidnapped, and he's in Chicago tracking the kidnapper. His meeting with Dana is completely coincidental, as far as he's concerned, so how long until he suspects that Dana's input would be essential to find what he's looking for?
The suspense in
Nothing to Fear was extremely effective. It's based on us readers knowing exactly what's going on and having to watch the protagonists blundering along blind, putting themselves at risk, because
they don't know. Dana thinks there's something not quite right with Sue (or rather, "Jane Smith"), but her first instinct is to deny it, to think she couldn't possibly feel that about this person. She's clearly a victim of domestic violence, and obviously needs support and reassurance, not suspicion, and Dana should be more sensitive, etc. And all the while we know she's right, and feel like reaching into the book and shaking her, telling her to trust her instincts. This reminded me of a very, very scary movie I watched recently, called The Orphan (which gave me nightmares for weeks). Both Sue and the villain in The Orphan were masters of manipulation, making anyone who suspected them feel guilty for doing so.
And Sue is terrifying. Just terrifying. It's not just that she's evil and ruthless, there's an element of pettiness in her actions that makes her even scarier. I thought in the second half of the book things were a bit over-the-top with her... I mean, she's cunning and ruthless, but she would have had to be superwoman for some of the things she was able to pull and the ways the bodies started piling up (the extent to which they did was also a bit much). But still, an intriguing villain which made the suspense side of this romantic suspense very successful.
The romance was all right, but I didn't love it. I think my main problem with it was that I found it hard to believe that Ethan would spend so much time having meaningful quiet moments with a new love interest when he was supposed to be frantically searching for a little boy who's in danger of being killed by his evil kidnapper. It did mean I believed in their love by the end of the book, but still.
MY GRADE: A
B.
Monday, November 02, 2009
The Italian's Wife by Sunset, by Lucy Gordon
TITLE:
The Italian's Wife by Sunset (
excerpt)
AUTHOR:
Lucy GordonCOPYRIGHT: 2007
PAGES: 248
PUBLISHER: Mills & Boon Romance
SETTING: Contemporary
TYPE: Series romance
SERIES: Part of the Rinucci brothers series
REASON FOR READING: I got this one because of Jane's
review at DearAuthor.
Intelligent, sensible Della Hadley should've known better than to embark on an affair with a playboy Italian six years her junior, but vibrant and sexy Carlo Rinucci was just too hard to resist....
Della knows that a fiery passion so quick to ignite should be fast to die out, despite Carlo's vow that their love is forever. But Carlo is Italian through and through, and determined to win his woman--and make Della his bride before the sun sets on their affair.
The plot is quite simple: Della Hadley is a television producer preparing a series of programmes on historic sites. Archeologist Carlo Rinucci is suggested to her as the perfect person to present them, and Della agrees.
Carlo likes the idea of the programmes, but he likes Della even more and falls for her hard and fast. She returns the attraction, but it's no go for her, as Carlo is several years younger (if I'm remembering correctly, Della was in her late 30s and Carlo was 30ish... a difference of 6 or 7 years, I think). But Carlo is persistent and determined to convince her.
Carlo is just wonderful. He falls like a ton of bricks for Della and then he treats her really sweetly, even (especially) when she's being an idiot about their age difference. I especially loved the scene where he was joking about coming ready-made-hen-pecked. There's something very sexy about a man who recognises that a man doesn't have to be dominant and bullying to be a real man.
Della I was a bit less sure about. I wasn't 100% convinced by her reasons to refuse a real relationship with Carlo so definitely. She seemed a bit hung up on appearances, and I didn't really understand where her unreasonably severe fear came from. 6-7 years difference in age isn't that much, especially when the guy is 30 (or maybe I've just got used to it... going back to uni at 30 last year I felt like I was pretty much the oldest person there, and I necessarily dated guys who were quite a bit younger).
It's a good but not revolutionalry December-May story right until the ending. I'm going to add some spoiler space here, because I really can't be too cryptic in discussing this and it would definitely be a spoiler. However, this is one spoiler warning I think readers shouldn't heed, because it's something that will probably be a deal-breaker for many.
S
P
O
I
L
E
R
In the conclusion, it becomes clear that Della has some health problems that mean that she will almost certainly not live until old age, and she and Carlo have to deal with this knowlege. I'm as much wedded to the HEA ending, but the way Gordon wrote this was amazing. It was a very romantic and sweet and lovely ending, even though it made me cry. For me, it definitely counted as a happy ending, if a little bittersweet, but for those who need the guarantee that everything will be wonderful forever, it won't work. Me, I loved it. Like Jane, it made the book for me.
MY GRADE: A
B+.