Hot Pursuit, by Suzanne Brockmann

>> Sunday, February 26, 2012

TITLE: Hot Pursuit
AUTHOR: Suzanne Brockmann

COPYRIGHT: 2009
PAGES: 432
PUBLISHER: Ballantine

SETTING: Contemporary US
TYPE: Romantic suspense
SERIES: 15th in the Troubleshooters series

As team leader of the popular personal security company Troubleshooters Inc., Alyssa Locke is no stranger to dealing with danger. Her next assignment, though, is supposed to be a breeze: teach self-defense techniques to an assemblywoman and her chief of staff after a political controversy generates a blizzard of hate mail-including death threats. But then, while in New York City, Alyssa and her squad of moonlighting Navy SEALs discover a dead body. And then another one. While investigating a suspect, Alyssa is ambushed and finds herself imprisoned by the deranged serial killer she's been after for years: The Dentist. Cut off from everyone, Alyssa must call upon all of her strength and skill to survive this confrontation with the sadistic monster, meanwhile trusting that her Troubleshooter teammates-led by her husband, operative Sam Starrett-will reach her before it's too late.
The Troubleshooters series has followed the same path JR Ward's BDB books have: it's not straight romance any longer, it's a soap. Brockmann has always had a large number of different subplots and stories that develop over several books, but the main storyline (or rather, the "start-to-finish" romance) used to be be much more prominent that the one we got in this book.

In this book, Alyssa and her team are sent to New York for what's supposed to be a nice, relaxing assignment -an excuse for a bit of a holiday, really. Savannah von Hopf (who long-time readers of the series will remember as the heroine of one of the early books in the series, Out of Control) has asked them to help one of her friends, a local politician, who's been having some security issues. The idea, the Troubleshooters assume, is to firm up her security a bit and teach her some basic skills. Easy peasy, which is why Alyssa and Sam bring their baby with them.

What they don't know, but the reader does, is that the whole thing is a ruse by a very dangerous serial killer called The Dentist. The Dentist has become obsessed by Alyssa, who was part of the FBI team hunting him, and has engineered things to bring her to his territory.

What we get here is a lot on the suspense plot and the investigation (the Troubleshooters soon realise things are more dangerous than they seem), plus a a new romance, plus development of the ongoing relationships, the soap part.

The new romance involved Dan Gillman (Eden's brother), and Jenn LeMay, the politician's chief of staff. Jenn is the type who gets "friended" by every man she ever feels an interest for (they all fall for her gorgeous friends and become her best mates so they can get her help in their pursuit of the pretty girls), so she's very surprised when the very good-looking Dan makes a play for her.

In the past, Brockmann has left all sorts of things open with her continuing storylines, but every book has provided a HEA for one couple. Dan and Jenn's is more of a "happy for now" ending, much more open than usual. I would normally have been unhappy with such an ending, but I was absolutely fine with this, because, to be honest, I wasn't invested in Jenn and Dan's romance. In fact, I wasn't convinced they were right for each other at all.

That was because I thought he was a bit of an asshole and she was a bit of a victim. I can see what Brockmann was trying to do with Dan. His MO with women is that because he doesn't want the hassle of going out with a beautiful women (too used to getting their own way and will actually demand things from him), he'll go for "the chunky girl with the pretty friends". She'll actually be grateful he deigns to have sex with her, and won't complain when he leaves, because she was kind of expecting he would, anyway. That's exactly what he's doing when he hooks up with Jenn. It's cold and calculating and kind of made me sick to my stomach to read. The whole point, I guess, is that while it starts this way with Jenn, he immediately starts to feel things for her he hasn't felt before, and it turns into something more. But... I didn't believe it. Brockmann didn't redeem him in my eyes. At all.

What made it worse was that Jenn was so completely out of her league with Dan, and some of it was due to stupidity on her part. There was one scene that I don't think was supposed to be that important in the context of the book, but which moved her in my mind from an inexperienced but otherwise intelligent and sensible woman, to a total, willing victim. She's become kind of friends with a New York cop called Mick, who in the book has clashed quite horribly with Alyssa and Sam. In a scene earlier in the book, he'd felt slighted by Alyssa and made comments behind her back (to Sam, of all people, who he didn't know was Alyssa's husband), that she was a bitch and what she needed was to be gang-raped. When Sam reacted, he engaged in a spot of police brutality. When Jenn is told about this (including the gang-rape threat), her reaction just made me go WFT: 'Oh, Mick. Jenn sighed. "He can be a real jerk, but I'm sure he didn't mean it."' Ohhh-kay. Hon, you're on your own. A jerk like Dan is exactly what you deserve.

But even though the main romance didn't work for me, the book as a whole kind of did, because I enjoyed the other stories.

There's Izzy, still mourning his relationship with Eden. I've actually always liked brash, irritating Izzy, and this is a story I'm looking forward to read in the next book. There's also Sam and Alyssa, showing how two very alpha people can make it work in a relationship if they work on it and respect each other. There was a bit too much of Ashton, their baby son, in this particular storyline, but on the whole, it was really good. There's Jules and Robin being madly in love. And of course, there's the suspense subplot, the serial killer, which was interesting, but definitely not for the squeamish. The ending of it was a bit predictable, but I still enjoyed the investigation. So, all good.

What wasn't so good, however, was the constant preaching. This is something people have been complaining about with Brockmann for a while. I guess I have a very high tolerance for preaching when it's about something I firmly believe in (like gay rights, which is Brockmann's cause), but I thought in this book she went a bit over the line, even for me. The killer is a homophobe who believes all gay people have AIDS and are contagious. Dan is reading a book about a guy who was sent to one of those crazy religious camps that "cure" homosexuality, and Brockmann oh-so-unsubtly works in a plug for it (seriously, bodies are being found all over and everyone's running around in a panic and Dan is looking for his book, to give him an excuse to explain the story to the readers). And many, many more examples, some of which would be spoilers, so I won't go into them. It's all a bit much, and while it didn't put me off that badly, it did annoy me. I get it that Brockmann is trying to use her popularity as an author to further a cause she believes in, and I think she's completely right to do so, but a bit more subtlety would make it much more effective.

MY GRADE: A B.

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Fatal Heat, by Lisa Marie Rice

>> Friday, February 24, 2012

TITLE: Fatal Heat
AUTHOR: Lisa Marie Rice

COPYRIGHT: 2011
PAGES: 208
PUBLISHER: Avon

SETTING: Contemporary US
TYPE: Romance
SERIES: None

Former Navy SEAL Max Wright is out of the SEAL Teams forever after being almost killed by an Afghani RPG. He retreats to his former XO’s beach house to lick his wounds. He wants to snarl at the world but finds it hard to snarl at his new neighbor, his XO’s beautiful goddaughter, Paige Waring, who also comes with a ridiculously likable, totally undisciplined dog.

As a plant geneticist, Paige has always been focused on her work, but when she and her dog run into Max, she recognizes the lonely, shattered man behind the rugged exterior. To her mind, sexiness always comes with a white lab coat, not with acres of tanned muscle and a tough mind-set.

When Paige’s work becomes the target of criminals and she’s abducted, Max springs into action. Though still terribly wounded, this tough as nails SEAL goes on his last mission—stopping at nothing to save the woman he loves.
Max Wright is recovering from horrific injuries sustained in Afghanistan. He's out of the woods now, but he's still in a pretty bad way, and recovery is hard work. A friend from the Navy SEALs has offered him his beach house as a refuge, and he's gone there to work on his recovery in peace, with nobody to bother him.

He didn't count on his neighbour, his friend's goddaughter, nor on the fact that if it's by her, he doesn't mind in the least being bothered. He and Paige hit it off amazingly well, and the "courtship" goes, well, about as well as it always does in a LMR book, which basically means they are sexually enthralled by each other immediately.

After months in hell, Max is suddenly looking forward to getting back home after he goes to a doctor's appointment. But Paige's got into some trouble with some very bad men through her work as a plant geneticist (which sounded pretty cool), and Max will have to do the impossible to get to her before she runs out of time.

This was nice and sweet. It's either a short novel or a long novella, but whatever it was, it was the right length for the story. I enjoyed it quite a bit. The romance is not amazing, but it's pretty good, nonetheless. I liked that Max is less over-the-top than LMR's usual heroes. He did do some superhuman physical stuff rescuing Paige, but the relationship felt more normal, less hyperintense. Now, I actually like her OTT heroes and super-intense relationships just fine, but the change worked well with this story. The tone was more laid back, quite funny, actually, in a gentle way.

As for the plot, I always say this, but LMR's suspense subplots are much better than your average romance author's. I never see this acknowledged in reviews, but I know I will get something relatively original in her books. Part of it is that her plots are more aware of the world outside the US, and not just as a source of bad guys. Again, this wasn't her best, but it was good.

Oh, and I musn't forget to mention Max -the other Max, that is, a really outstanding dog. I'm sure it should have been annoying to have both hero and dog called Max, but I got a kick out of it.

MY GRADE: A B.

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Thoughts on the 2011 AAR Anual Reader Poll

>> Thursday, February 16, 2012

As a long-time visitor at All About Romance, I make a point of voting in their Annual Reader Poll every year. The Poll was actually the reason I started tracking my books, back in 2001, just so I could vote.

Results for this year have just been announced, and they're interesting. I think I voted for the winner in only three categories, probably a record for me!


Best Romance

AAR winner: The big winner this year was Joanna Bourne's The Black Hawk, which won outright in 6 categories and tied in a 7th. I haven't read it yet (it's in the TBR), but it sounds amazing and I've really liked the books I've read by this author, so I have absolutely no problem with it having won. I should get to it soon!

My vote went to: Unveiled, by Courtney Milan, which was an A for me. I absolutely adored it. It was a historical with a not-particularly-groundbreaking plot, but which felt completely fresh and new because of the characters.


Favorite Funny Romance

AAR winner: A tie between Julie James' A Lot Like Love and Call Me Irresistible, by Susan Elizabeth Phillips. I liked the Julie James, but it wasn't my favourite by her (it felt a little lightweight). The SEP I haven't read yet. I probably will at some point, but I'm find increasingly distasteful the way her heroines are too-often humiliated.

My vote went to: Attachments, by Rainbow Rowell. It wasn't particularly hilarious, but funny in a subtle way, and I really enjoyed it. But I must say that if I'd read Lauren Baratz-Logsted's The Bro Magnet before I voted, I think that's the one I would have picked.


Favorite Tear-Jerker Romance

AAR winner: The Black Hawk, by Joanna Bourne tied with Eloisa James' When Beauty Tamed the Beast. The James must be for the final section, which was my least favourite bit of the book.

My vote went to: His, Unexpectedly, by Susan Fox. This was one of my favourite reads of the year, It's not a tragic book (in fact, it's quite funny), but the relationship between the heroine and her family had so much hurt in it that I got a lump in my throat several times. It's not an awful, disfunctional family. In fact, they love each other very much, which made it all more affecting for me.


Most Luscious Love Story

AAR winner: What I Did for a Duke, by Julie Ann Long. I did not like this one very much, and I certainly didn't find the love scenes particularly interesting.

My vote went to: Hotter Than Wildfire, by Lisa Marie Rice. I don't think LMR's love scenes are particularly luscious, at least not in terms of what actually happens in them. But what packs a punch is the raw emotion in them, which I love. I also considered voting for A Lady Awakened, by Cecilia Grant, even though the whole thing about quite a few of the love scenes was that they weren't erotic at all. But when Martha and Theo finally connect, that was amazing. Oh, well, turns out it wasn't a 2011 book, anyway.


Best Erotica / Romantica Romance

AAR winner: Fifty Shades of Grey by E.L. James and The Perfect Play by Jaci Burton tied for this one. Nothing I've heard about Fifty Shades of Grey makes me want to read it. It doesn't sound like my sort of thing at all. I did try The Perfect Play but it was a DNF. Nice hero, but boring heroine and boring, constant love scenes.

My vote went to: I left this one blank. The few books that would qualify that I read I didn't much like (like The Perfect Play, which as I said, was a DNF, and a menage story by Jill Myles that was meh).


Most Tortured Romance Hero

AAR winner: Dmitri, from Nalini Singh's Archangel's Blade. I kind of lost interest in this series after the second book. I didn't dislike it, but it just didn't tempt me to keep reading, I guess.

My vote went to: Ash Turner from Unveiled, by Courtney Milan. A fantastic hero whose very difficult childhood hasn't warped him, but has left some deep scars in the relationship between him and his brothers. Clearly I just love a good dollop of family drama in my romance!


Best Kick-Ass Heroine

AAR winner: Justine DeCabrillac, from The Black Hawk, by Joanna Bourne. She does sound fantastic, and I'm looking forward to meeting her.

My vote went to: Yasmeen, from Heart of Steel, by Meljean Brook. However fantastic Justine is, I don't see how anyone could hold a candle to Yasmeen. She's one of the most kickass heroines I've read ever, let alone last year. And Brook didn't find it necessary to emasculate her to make her more acceptable, yay!


Best Romance Hero

AAR winner: Adrian Hawkhurst, from The Black Hawk, by Joanna Bourne. Yep, he sounds great as well!

My vote went to: Sir Mark Turner, from Unclaimed, by Courtney Milan. Another fantastic book from Milan. I liked it a teeny bit less than Unveiled, but Mark was outstanding. He's genuinely moral and good and honourable, and he does his best to be so, to work out what he think it means to be good, not what society says. And he stands up to the rest of the world and shows himself as he is. All without a speck of self-righteousness or hypocrisy.

I also considered Archimedes Fox, from Heart of Steel, by Meljean Brook in this category. Another nice guy, and another one secure enough in himself and his masculinity to be with a strong, unconventional woman. Give me a hero like him or Sir Mark over all those "wicked" rakes any day.


Best Romance Heroine

AAR winner: Justine DeCabrillac, from The Black Hawk, by Joanna Bourne.

My vote went to: Yasmeen, from Heart of Steel, by Meljean Brook. She's that cool.


Best Romance Couple

AAR winner: Justine DeCabrillac & Adrian Hawkhurst, from The Black Hawk, by Joanna Bourne.

My vote went to: Jenna Fallon & Mark Chambers, from His, Unexpectedly, by Susan Fox. I just loved them together, thought they fit in particularly great way. They seem to be opposite at first, but Fox shows perfectly how they actually have worldviews that match and want the same things from life. Each makes the other grow and be better, but neither really changes from the person they really are. Fantastic book.

My choice was between them and Martha Russell & Theo Mirkwood, from A Lady Awakened, by Cecilia Grant, because of the way their relationship developed oh-so-slowly and how well they ended up fitting together. Guess I've got a shoe-in for the 2012 poll, it'll take a lot to beat them!


2011's Best Debuting Romance Author

AAR winner: Jessica Scott, with Honorable Mentions to Tawna Fenske and Darynda Jones. I haven't read Scott (hadn't heard of her before this, actually) or Fenske. I tried to read Darynda Jones but it had a very annoying heroine and ended up as a DNF. Apparently quite a lot of people voted for Cecilia Grant (whose book actually had a 2012 copyright, even though it was released in 2011) and for Thea Harrison (who's been published before under another name).

My vote went to: Originally to Cecilia Grant (what can I say, I bought the book on December 27th, so I never thought to actually look at the copyright!), but the AAR pollsters graciously allowed me to change it, and I went for Rainbow Rowell, whose charming Attachments I really liked.


Guiltiest Pleasure Romance

AAR winner: J.R. Ward's Lover Unleashed. Can't argue with that, if I'd read a 2011 JR Ward last year I probably would have voted for it as well!

My vote went to: Hotter Than Wildfire, by Lisa Marie Rice, even though I don't feel particularly guilty about liking her books any longer. But I guess I'm still a bit surprised that I like her heroes so much.


Best Historical Romance set in the UK

AAR winner: Julie Ann Long's What I Did for a Duke, which as I mentioned above, I didn't much like. I really can't see what's so great about it. I hated the revenge plot and the lack of any thought about the consequences their screwing about like bunnies might have.

My vote went to: Unveiled, by Courtney Milan, which is quite obvious, since I voted for it as best romance, and it's a historical romance set in the UK!


Best Historical Romance set outside the UK

AAR winner: The Black Hawk, by Joanna Bourne. Fair enough.

My vote went to: Heart of Steel, by Meljean Brook. I might have cheated a bit here, not sure if steampunk counts as historical? It is a kind of historical, speculative, I guess. Otherwise, where would it fit in? Paranormal? It's not, it's all based in science. Futuristic? It's set in a version of the past. I stand by my vote!


Best Contemporary Romance

AAR winner: A Lot Like Love, by Julie James. I liked it very much, but there were several other contemps I liked better last year.

My vote went to: His, Unexpectedly, by Susan Fox. A plain contemporary with surprising depth. Fox's characters talk to each other and I completely believe in their relationship. There's also great family drama, and a heroine who's a free spirit and is not forced to want a white picket fence.


Best Series/Category Book

AAR winner: Jill Sorenson's Stranded With Her Ex, which sounds pretty good.

My vote went to: Here Comes The Groom, by Karina Bliss. A lovely friends-to-lovers plot, with a heroine who's dealing with quite a lot. I really like this author.


Best Romantic Suspense

AAR winner: Breaking Point, by Pamela Clare. It doesn't really appeal to me.

My vote went to: Treachery in Death, by JD Robb. This series is still going strong for me, and I loved the plot of this one, and the focus on Peabody.


Best Paranormal Romance

AAR winner: Thea Harrison's Dragon Bound, which I liked very much. I just loved another one better!

My vote went to: Demon Marked, by Meljean Brook, maintaining the very high standard of the Guardians series. I loved that although it developed the overarching storyline, the first half seemed a bit different and apart from the world of the Guardians.


Best Chick Lit/Women's Fiction

AAR winner: To The Moon and Back, by Jill Mansell.

My vote went to: To The Moon and Back, by Jill Mansell. I didn't read much in these genres, but of the few I read, the Mansell was the best. I'd say it falls on the WF side, and it's got both humour and sadness, and is written in quite a low-key register.


Best Romance Short Story

AAR winner: Unlocked, by Courtney Milan.

My vote went to: Unlocked, by Courtney Milan. More like a novella, really, but fantastic. I loved the angst and how the hero had to actually work to be forgiven for his actions.


Most Disappointing Romance of 2011

AAR winner loser: J.R. Ward's Lover Unleashed tied with Julia Quinn's Just Like Heaven. I haven't read either, but I mean to, in spite of this.

My vote went to: Eleven Scandals to Start to Win a Duke's Heart, by Sarah Maclean. It was a DNF, but that was because what I read was so bad I didn't want to keep reading. Foolish heroine, mean, judgmental hero, clunky, nonsensical setup. Eek.

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Hellhounds & PIs

>> Sunday, February 12, 2012

TITLE: Blind Spot (in Must Love Hellhounds anthology)
AUTHOR: Meljean Brook

I've got a while to wait until Meljean Brook's next single title, but fortunately, there are still a few of her Guardians short stories I've yet to catch up with. This one stars Maggie Wren, whom we met in the wonderful Demon Forged. Maggie has been working as a sort of troubleshooter for Colin Ames-Beaumont and his wife Savi, and her latest mission is to rescue his niece, who's been kidnapped by some baddies. But she's not going alone, Colin has asked his nephew, Blake, to help out. Maggie is initially nonplussed, as Blake is blind, and she's not sure what he can do to help, but the Ames-Beaumont family's contact with a certain sword has had a long-running effect on the entire line, and Blake has some surprises to offer.

This was fun, as always. The action is exciting, Blake's talent is really, really cool, and the romance is a brilliant one. There are some surprises there as well. I'm not going to reveal them, but they make the romance much more believable.

MY GRADE: A B.



TITLE: Private Eye (in Some Like It Rough anthology
AUTHOR: Susan Lyons

I liked Susan Fox's Wild Ride to Love books so much that I swept my library for anything under her other name, Susan Lyons. This included a couple of short stories in anthologies, including this one.

Hayley Croft has been doing admin at a PI company for a few months, but it's only when a case brings the whole team to a strip club that detective Ry Montana notices the sexy woman under the staid, boring outfits. And he can't help but notice her when Hayley ends up volunteering to go undercover as a stripper to solve the case.

Lyons has a way with love scenes, but ultimately, this was pretty meh. The characters were very broadly drawn and not particularly distinct, so I didn't particularly care what happened to them, including when they fell into bed (which was much too often, considering the length of the story). Also, I felt this had a bit of a pornish sensibility, which I don't mind in straight-out erotica, but I do in erotic romance. Plus, the setup was just silly.

Hmm, I liked the Fox books so much that I will probably give Lyons another shot (maybe something longer next), but if this had been a new author, I don't think I would have.

MY GRADE: A C.

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Happy Ever After, by Nora Roberts

>> Friday, February 10, 2012

TITLE: Happy Ever After
AUTHOR: Nora Roberts

COPYRIGHT: 2010
PAGES: 368
PUBLISHER: Berkley

SETTING: Contemporary US
TYPE: Romance
SERIES: #4 in the Bride quartet

As the public face of Vows wedding planning company, Parker Brown has an uncanny knack for fulfilling every bride's vision. She just can't see where her own life is headed. Mechanic Malcomb Kavanaugh loves figuring out how things work, and Parker is no exception. Both know that moving from minor flirtation to major hook-up is a serious step. Parker's business risks have always paid off, but now she'll have to take the chance of a lifetime with her heart...
Parker Brown is the brains behind Vows, the wedding planning company she set up with her three best friends, whose stories were told in the first books in the series. She brings to the table the organisational skills that allow her friends talents to shine, and the weddings to go off without a hitch. So what if this means that her life is all work and her Crackberry is never off or off limits to her brides?

Malcolm Kavanaugh was introduced in previous books in the series, and it was obvious from the start that he was destined for Parker. Superficially, he's as different from her as could be. He's a mechanic (although off course, he owns his own business -couldn't have it any other way in a romance novel!) and former stuntsman, and as relaxed and easygoing as Parker is tightly wound.

There's not much of a conflict between these two. The issue of Parker being from a very wealthy and socially prominent family while Malcolm is not comes up, is addressed, and basically goes away. Other than that, it's just two people falling in love, in between Parker and her friends putting on all sorts of weddings.

That doesn't mean it's boring. In fact, I enjoyed the book quite a bit while I was reading it, even though it hasn't particularly stayed with me (I had to actually make an effort to remember it properly, after a few weeks) and I wouldn't characterise it as a page-turner. It's pleasant and fun, and what it does, it does really well.

I especially liked the friendship between the women, as usual with Roberts. Also, I really, really appreciated that Parker's love of her work and willingness to spend many, many hours on it wasn't presented as a problem. There's no disapproving tone here about her being available 24/7 and not immediately making the guy she's dating her first priority. She does make some changes by the end of the book, but it's more about establishing a few boundaries and setting aside a bit of time for herself every now and then.

As for the weddings, well, I'm not really a wedding person (the thougth of having a massive do myself fills me with dread, rather than longing), but throughout the series, they've been just SO much fun. There's always some story with them, something to make them stand out and make them more than just a party, and there's just something about seeing people who are very good at something going about their business.

All in all, this hasn't been my favourite NR series, but (apart from a little hiccup in book 2) it was a solidly enjoyable one.

MY GRADE: A B.

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The Name of the Star, by Maureen Johnson

>> Wednesday, February 08, 2012

TITLE: The Name of the Star
AUTHOR: Maureen Johnson

COPYRIGHT: 2011
PAGES: 384
PUBLISHER: Putnam Juvenile

SETTING: Contemporary London
TYPE: YA paranormal
SERIES: #1 in the Shades of London series

The day Louisiana teenager Rory Deveaux arrives in London marks a memorable occasion. For Rory, it's the start of a new life at a London boarding school. But for many, this will be remembered as the day a series of brutal murders broke out across the city, gruesome crimes mimicking the horrific Jack the Ripper events of more than a century ago.

Soon "Rippermania" takes hold of modern-day London, and the police are left with few leads and no witnesses. Except one. Rory spotted the man police believe to be the prime suspect. But she is the only one who saw him. Even her roommate, who was walking with her at the time, didn't notice the mysterious man. So why can only Rory see him? And more urgently, why has Rory become his next target? In this edge-of-your-seat thriller, full of suspense, humor, and romance, Rory will learn the truth about the secret ghost police of London and discover her own shocking abilities.
Rory Deveaux's parents have accepted a job that will take them to England for a year. Far from being upset at leaving her friends in small-town Louisiana, Rory is really excited at the prospect of a year abroad, which, as her parents job will be in Bristol, she'll spend in a boarding school right in Central London.

Boarding school turns out to be pretty damn good. Rory doesn't have much trouble making friends, including her new roommate, and classes (hockey class excepted) are fine. The only fly in the ointment is that Rory has arrived just in time to find London in the midst of a massive panic. Someone is murdering people in a way clearly inspired by Jack the Ripper. The murders are taking place on the exact date Jack the Ripper's took place, and the women killed have similar names to the original victims, are murdered in exactly the same way as they were, and are left pretty much where the original victims were found.

Since Rory's school is right in the area of East London where all this is going on, this means that as the day of the next murder approaches, the excitement rises, and the school goes into lockdown. Typical teenagers, the students are not scared or upset about it, more excited and intrigued to know what will happened (actually, all of London seems to feel that way, which rings painfully true). Which is how, while doing something she shouldn't have been doing, Rory ends up seeing the man who must be the killer. She's the only witness, actually, which is quite strange, considering that her roommate was just next to her, and really should have seen him too...

Full disclosure: I find the whole Jack the Ripper thing fascinating. I've even actually gone on a Jack the Ripper walking tour. I tell people it was a great way to see the small glimpses of old London still alive under the quite ugly modernity of the financial district, but while true, that was a bonus, not why I did it. I confess to a ghoulish enjoyment of the story, even as I'm fully aware of the inappropriateness of feeling that way about a case in which people actually died. So I was well-disposed to enjoy this story, to say the least.

I liked it even more than I expected, because the Jack the Ripper overtones were just the cherry on a very good cake: the actual story was really intriguing and fascinating. I couldn't wait to find out what was going on, especially because in between the main sections, all narrated by Rory, there are short ones from the POV of various other people... someone who manages to get her hands on CCTV footage of one of the murders and realises that while the murder has been filmed, the murderer hasn't; a Ripperologist who has convened a sort of conference and finds himself forced by an unseen force to write a message on the blackboard when the lights suddenly go off. This works to show us readers that while Rory doesn't suspect for a long time that there is anything wrong, there is definitely something strange going on.

When we find out the truth, it's no letdown. I'm not even going to hint at what is actually going on, but it's really cool, and I loved Rory's role in it all.

The very well-done story was combined with truly superior atmosphere and setting. I loved the combination of the creepiness of the tone of the Ripper bits with the school atmosphere -especially because the school is very much a normal one. I also enjoyed the tourist-eye view of living in central London. It won't sound cool, but hey, I don't live in London myself, so I relished it.

Also, Rory was a great narrator. She reads real. She's ridiculously brave sometimes, but well, she's a teenager, so lack of consciousness of her own mortality comes with the territory. And she's got her insecurities as well. I liked her, and I'll be glad to continue reading about her. There's a sequel called The Madness Underneath coming in September 2012, and I'll definitely be reading it.

MY GRADE: A-.

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A Brother's Price, by Wen Spencer

>> Monday, February 06, 2012

TITLE: A Brother's Price
AUTHOR: Wen Spencer

COPYRIGHT: 2005
PAGES: 320
PUBLISHER: Roc

SETTING: Fantasy world
TYPE: Fantasy romance, really!
SERIES: None that I know of

In a world where males are rarely born, they've become a commodity-traded and sold like property. Jerin Whistler has come of age for marriage and his handsome features have come to the attention of the royal princesses. But such attentions can be dangerous-especially as Jerin uncovers the dark mysteries the royal family is hiding.
In a complete departure from the Ukiah Oregon novels which were my first experience with Wen spencer, A Brother's Price is a fantasy novel set in a world where due to biological imperatives, gender roles are much as in Regency historicals, only reversed.

In this world, male children are born infrequently, and so have becomed very prized. By necessity, a man gets married to all the woman in one family, and having their brother make a good marriage is a family's best chance of improving their circumstances. Virginity in man is prized as well, as venereal diseases are rife, and once caught, easily spread through the entire family. Young men are therefore sheltered and protected, often not allowed to even come into contact with strange women. If they do, their reputation, and therefore their marriage prospects, can be ruined. Yep, this is exactly why I said Regency historical romance.

Jerin Whistler lives with his sisters and several younger brothers (a rarity), and having reached marriageable age, is almost resigned to being married off into a boorish neighbouring family. But one day a young woman is found injured nearby and after much discussion, the family decide they should rescue her and risk bringing a stranger into their house. Good decision, because she turns out to be one of the royal princesses, and Jerin catches both her eye and that of her sister, Ren, who comes to fetch her.

Before he knows it, Jerin and his family are whisked off to town, supposedly for the royal family to sponsor him, as a thank you for the rescue. However, the reality is that Princess Ren has been agitating for him to be chosen as her and her sisters' husband, and he's there to be vetted.

But romance doesn't have a chance to progress smoothly, since the incident which resulted in the princesses coming into Jerin's life is not an isolated one, and someone is plotting against the royal family.

I thought the idea of this was interesting, and the world-building was actually quite good, but I just found the romance incredibly annoying, and wasn't that impressed with the plot, either.

The problem with the romance is that although Jerin is quite a good guy, brave and sensible, whenever he's with the princesses (especially Ren), Spencer chooses to make him behave like a twit. He constantly blushes and generally behaves like a child (he keeps being described as "adorable" by the women). And Ren absolutely loves this. She talks about how perfect Jerin is, because he's "biddable". Retch!

My objections had nothing to do with this being a role reversal world, I'd have hated this characterisation in a regular historical as well. I have no interest at all in a romance that so infantilises one of the characters and has the other character prize this.

As for the plot, it started out interesting enough, but got really, really boring at the end. There was an awful lot of running around, and people behaving pretty stupidly.

Unfortunate. This could have been quite good, and Spencer definitely knows how to do good worldbuilding.

MY GRADE: A C.

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Monkeewrench (aka Want To Play?), by PJ Tracy

>> Saturday, February 04, 2012

TITLE: Monkeewrench (aka Want To Play?)
AUTHOR: PJ Tracy

COPYRIGHT: 2003
PAGES: 432
PUBLISHER: Signet

SETTING: Contemporary US
TYPE: Mystery
SERIES: First in the Monkeewrench series

People are dying for the new computer game by the software company Monkeewrench. Literally. With Serial Killer Detective out in limited release, the real-life murders of a jogger and a young woman have already mimicked the first two scenarios in the game.

But Grace McBride and her eccentric Monkeewrench partners are caught in a vise. If they tell the Minneapolis police of the link between their game and the murders, they'll shine a spotlight on the past they thought they had erased-and the horror they thought they'd left behind. If they don't, eighteen more people will die...
I'd no idea what to expect of Monkeewrench. I knew the plot outlined in the back cover sounded interesting, and I'd heard great things about the mother-daughter team behind the PJ Tracy name, but that was it. Was it suspense? Was it romantic suspense? Should I expect all the characters I liked to be alive at the end? I had no idea.

The story starts out in rural Wisconsin, as an old couple is found dead in church, killed in a gruesomely ritualistic manner. Around the same time, a couple of bodies are found in Minneapolis, each killed exactly as detailed in a newly released videogame.

With the prospect of the killer continuing on and reenacting all 20 murder cases included in the game, the cops' attention is focused on the partners who own Monkeewrench, the company that developed it. It's quite clear there's something mysterious in their past, especially in Grace MacBride's. Why ever else would a woman live like a recluse, in a house as secure as bank vault?

The mystery develops little by little, with the authors doling out information very, very carefully and keeping the tension high. It's really intriguing, especially guessing how all the different threads might be connected, and the detective work is top notch. It was a pleasure to see these people work. I never felt like I was ahead of them, and yet, I never felt a deduction came out of nowhere. And when the final reveal happened, everything clicked together in the most satisfactorily manner. That's exactly what I want out of a mystery, and PJ Tracy delivered with style.

It wasn't just a fun, clever puzzle. I also really enjoyed the characters and cared about what happened to them. Grace and her partners at Monkeewrench are really fascinating, and I developed quite a few outlandish theories about what had happened in their past. The reality was better than anything I imagined. And I also really liked the cops. Det. Magozzi is our main character here, but he's supported by a fantastic and very real cast of characters, all of which play their role. And I had a bit of a soft spot for the detectives investigating the case in Wisconsin, and loved how it all came together.

There's even a little bit of romance, which was a nice touch. For once, I didn't want this part of the story to be more prominent; what I got was just enough for me.

I'm definitely going to be reading more in this series.

MY GRADE: A B+.

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The Silent Land, by Graham Joyce

>> Thursday, February 02, 2012

TITLE: The Silent Land
AUTHOR: Graham Joyce

COPYRIGHT: 2010
PAGES: 264
PUBLISHER: Gollancz

SETTING: Contemporary France
TYPE: Fiction
SERIES: None

A young couple are caught in an avalanche during a ski-ing holiday in the French Alps. They struggle back to the village and find it deserted. As the days go by they wait for rescue, then try to leave. But each time they find themselves back in the village. And, increasingly, they are plagued by visions and dreams and the realization that perhaps no-one could have survived the avalanche.THE SILENT LAND is a brooding and tender look at love and whether it can survive the greatest challenge we will ever face.
Zoe and Jake are on a skiing holiday and out really early, trying to get on the slopes before other tourists arrive en masse. As they descend, they are caught in a landslide, and only barely survive. When they manage to get back to the village where they're staying, the entire place is empty -clearly evacuated, they reason, due to the risk of more avalanches.

But it's not just that the whole place is empty. They can't seem to get anyone on the phone, can't get any channels on the television and can't connect to the internet. And whenever they try to leave the village, something always stops them, and they end up back where they started...

I was really intrigued by the set-up of this book, and I really liked the way it started. The first half was actually really good. I had some suspicions about what might be going on, but it was still all really chilling and intriguing, and satisfyingly creepy.

I wasn't even fazed by the characters having a massive realisation about one third into the book, which I would have thought would be the big one at the end. That made me even more intrigued to see where Joyce could go from there.

Unfortunately, the answer is: nowhere much. I was completely disappointed by the ending. It's just that it was the obvious one, what I immediately thought would be a reasonable explanation, but kind of mentally rejected because it would be too obvious and boring. I was hoping for something creepy, something that made me do a double take and look back at the book with new eyes (ideally, something as fantastic as the climactic moment of realisation in The Sixth Sense). And after the characters having that flash of insight so early in the book (see previous paragraph), it needed to be great and unexpected.

What I got had a bit of a tinge of the paranormal, but not anything to get excited about. I also hoped for something that would explain all the little arbitrary details and changes in rules that Zoe and Jake had experienced. Some things were explained by the conclusion (e.g. the coffins, the ringing mobiles), but others weren't, really. And I had some objections to how it all hinged on that this love between them was so, so great that all this stuff happened, when Joyce hadn't convinced me at all about that.

I guess I was hoping for "Oh, wow!", and got "Oh, ok".

MY GRADE: A B-.

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The Disgraced Playboy, by Caitlin Crews

>> Tuesday, January 31, 2012

TITLE: The Disgraced Playboy
AUTHOR: Caitlin Crews

COPYRIGHT: 2011
PAGES: 192
PUBLISHER: Harlequin Presents

SETTING: Contemporary England
TYPE: Category romance
SERIES: 2nd in continuity series, The Notorious Wolfes.

Lucas… Playboy. Rebel. Rogue.

No one denies Lucas anything. Women fall at his feet and into his bed at the click of his fingers. His life is charmed, reckless and carefree-he is definitely a bad boy.

Grace Carter knows uncontrollable Lucas could ruin her career, and she won't tolerate his wayward behavior, despite their chemistry. But working with Lucas is thrilling, and after just a small dose of his magic, even Grace's prim-and-proper shell begins to splinter…
I was really looking forward to this one. I picked it up based on really good reviews, and then it got the enthusiastic endorsement of my only romance-reading real-life friend (hey, MI!), who thought it good enough to specifically tell me I needed to read it, when we got together to catch up while I was in Uruguay.

Sorry guys, it really, really, really didn't work for me.

Ok, the plot. This seems to be part of a continuity series, so I don't know the whole set-up, but basically, the hero, Lucas Wolfe, goes through life playing the part of a useless playboy, never known to work for a day in his entire life, and desired by every woman in England. The heroine, Grace, works in PR for a posh department store, which used to be owned by the Wolfes. For reasons of his own, Lucas agrees to become the store's new face, and has to work with Grace. He immediately is determined to seduce her.

I did not believe in these characters at all. I think Lucas is supposed to be this really charming, irresistible man, but even though the author told me so repeatedly, through Grace, I didn't find him charming in the least. I found him annoying and rude, and too often behaving inappropriately to Grace at her own place of work, not caring about the consequences this would have on her. That, to me, is not sexy. It's being inconsiderate and not giving a shit about someone's livelihood.

It's supposed to be this epic seduction, with Grace resisting with all her strength, but finally giving way to Lucas' charm because it's impossible to resist him. I think we're supposed to agree with that, and wonder at how Grace manages to hold out in the face of such irresistibleness. My reaction was the opposite. I wonder what the hell she saw in him, beyond good looks.

And I also wondered what the hell he saw in her that he hadn't seen in a thousand women before. She's distinctly average and I found her very boring.

And then there was this massive scandal about Grace having posed in what sounded like really quite tasteful and harmless swimsuit pictures when she was a teen. That was just preposterous, and ended the book on an even lower note than it started. Even the nice touch of having Grace reevaluate her past and decide she's actually proud of it didn't save it.

I am well aware that I'm being a bit of a grinch here. I don't know why I took such a dislike to the book. I promise I was really well-disposed to it when I started it -I really expected to love it. I guess it must have been a matter of the author's voice just not working for me, which made me react with annoyance to everything else. I just wanted it to end, because I was bored with these two.

MY GRADE: A C-.

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One Week in December, by Sebastian Faulks

>> Sunday, January 29, 2012

TITLE: One Week in December
AUTHOR: Sebastian Faulks

COPYRIGHT: 2009
PAGES: 392
PUBLISHER: Vintage

SETTING: Contemporary London
TYPE: Fiction
SERIES: None

London: the week before Christmas, 2007. Over seven days we follow the lives of seven major characters: a hedge fund manager trying to bring off the biggest trade of his career; a professional footballer recently arrived from Poland; a young lawyer with little work and too much time to speculate; a student who has been led astray by Islamist theory; a hack book reviewer; a schoolboy hooked on reality TV and genetically altered pot; and a Tube train driver whose Circle Line train joins these and countless other lives together in a daily loop.

With daring skill and savage humor, A Week in December explores the complex patterns and crossings of modern urban life; as the novel moves to its gripping climax, its characters are forced, one by one, to confront the true nature of the world they—and we all—inhabit.
I randomly picked this one up at the library, not really knowing what to expect. What with all my constant review reading and book chatter online, that's a pretty rare experience these days, and I enjoyed the change. That's possibly because I really enjoyed the book as well.

The setup is pretty straightforward. It's mid-December 2007, and people are just going about their lives. And for a week, we follow a group of characters who are doing exactly that.

It's a diverse and interesting group. There's Jenni Fortune, a Tube driver, involved in a legal case arising from someone jumping in front of her train a couple of years earlier. There's Gabriel Northwood, a barrister also involved in the case. There's John Veals, a hedge fund manager engaging in machiavellian manouvers. There's his son. There's Ralph Tranter, an unscrupulous book reviewer who delights in tearing books to pieces (do I detect some getting even there on Faulks' part?). There's Hassan al-Rashid, a would-be suicide bomber and his father, Knocker, a successful industrialist. There's a Polish football player just starting out in a Premier League team. And these are only the "main" characters.

Over the one week we spend with them, their lives cross and connect in more or less unexpected ways.

I was interested in all of them and their stories (with the exception of Veals, the hedge fund manager). But what was even more intriguing was the way in which Faulks used their stories to explore the idea of the increasing artificiality of modern life, and how the virtual is sometimes becoming more real than 'real' life. Some of it is a bit obvious but still interesting (like Jenni's engagement in a Second Life-type site, or Finn's obsession with a reality show so jaw-dropping it will probably become real at some point). Some is obvious in boring ways (John Veals' financial dealings, but that's probably a function of me reading this in 2011, when the utter lunacy of such stuff is not a particularly novel idea. Still, I dreaded reading his sections. Mind-numbingly boring detail, and I'm an economist, I'm supposed to be interested in this stuff). Most of it is really revealing, though, and I enjoyed thinking about it.

I was listening to the latest Guardian books podcast last weekend, and they were discussing the fact that there is no British equivalent to the Great American Novel, that sort of state-of-the-nation statement. Well, I beg to disagree. One Week In December is a damn good stab at just that.

MY GRADE: A B+.

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Life From Scratch, by Melissa Ford

>> Friday, January 27, 2012

TITLE: Life From Scratch
AUTHOR: Melissa Ford

COPYRIGHT: 2010
PAGES: 208
PUBLISHER: Bell Bridge Books

SETTING: Contemporary US (New York)
TYPE: Chick Lit
SERIES: None

Her life's a mess. And so is her kitchen. Divorced, heartbroken and living in a lonely New York apartment with a tiny kitchen, Rachel Goldman realizes she doesn't even know how to cook the simplest meal for herself. Can learning to fry an egg help her understand where her life went wrong? She dives into the culinary basics. Then she launches a blog to vent her misery about life, love and her goal of an unburnt casserole.To her amazement, the blog's a hit. She becomes a minor celebrity. Next, a sexy Spaniard enters her life. Will her souffles stop falling? Will she finally forget about the husband she still loves? And how can she explain to her readers that she still hasn't learned how to cook up a happy life from scratch?
A few months earlier, Rachel Goldman took the wrenching decision of leaving her husband. Adam no longer was the man she had married. For the past years, he'd been so focused on his work that he didn't even see Rachel, and she couldn't stand being married but not really having a husband any longer.

Since she'd made a big change in her life already, Rachel decided to go one more step further and take a year off her job as graphic designer. That's how, as the book starts, she's engaged in learning to cook (reversing the influence of her hyper-successful mother, who believes that real women don't cook; they go out or order really nice takeaway), and blogging about it.

And it's that new past-time that leads her to new things in her life, from dating a sexy Spaniard to exploring the possibility of a new career and yes, finding herself.

I hesitated before writing those last two words, because though accurate, they might make the book sound like self-indulgent nonsense. It's not. Rachel is a really enjoyable character, not completely put together yet, after her divorce, but working on it, and doing a good job (temporary setbacks notwithstanding).

There were quite a few things I really liked here. First, there's a really nice portrayal of female friendship. Rachel and her friend Arianna have a really nice relationship, supportive and warm. And Arianna isn't just there to give Rachel someone to call and bare her feelings to: she's clearly got her own life and her own story, and we do get to see some of it here.

I also liked the whole cooking and blogging thing. It's not gimmicky like the project from Julie and Julia. Rachel is properly learning from scratch, as the per the title, and in the blog she shares her discoveries, her joy at discovering the creativity and satisfaction in cooking a good meal, as well as what's going on in her life. There are snippets of her blog entries at the beginning of each chapter, and I really liked reading them. I didn't think they were as absolutely amazing as others seem to in the book (always a danger, when you have a character writing something that's supposed to be the best thing since sliced bread), but they were fun, and I also liked the sense of a blogging community. It seemed different from the online romance community that I know and love, but still quite nice.

Finally, though this is chick lit, there is romance and there is a happy ending. I'm not going to say much about it, to avoid spoilers, but it was surprising, and yet a really good, satisfying ending.

MY GRADE: A solid, enjoyable B.

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The Good Man Jesus and the Scoundrel Christ, by Philip Pullman

>> Wednesday, January 25, 2012

TITLE: The Good Man Jesus and the Scoundrel Christ
AUTHOR: Philip Pullman

COPYRIGHT: 2010
PAGES: 245
PUBLISHER: Canongate

SETTING: Israel
TYPE: Fiction
SERIES: None

Upon its hardcover publication, renowned author Philip Pullman’s The Good Man Jesus and the Scoundrel Christ provoked heated debates and stirred a frenzy of controversy throughout the clerical and literary worlds alike with its bold retelling of the life of Jesus Christ.

In this remarkable piece of fiction, famously atheistic author Philip Pullman challenges the events of the Gospels and puts forward his own compelling and plausible version of the life of Jesus. Written with unstinting authority, The Good Man Jesus and the Scoundrel Christ is a pithy, erudite, subtle, and powerful book by a beloved author, a text to be read and reread, studied and unpacked, much like the Good Book itself.
Days after finishing it, I'm still not quite sure what to make of this one. Unfortunately, I had to miss my book club's discussion of it -that might have helped. Basically, this is Pullman's version of the life of Jesus, an alternate explanation of what might have actually happened and still be recorded in the Bible as it is today. This includes Jesus Christ being actually a pair of twins: Jesus, who goes around preaching the coming of the Kingdom of God, and his brother Christ, who follows him, recording his deeds and words and putting his own spin on them.

This is not like, say, The Red Tent (http://www.amazon.com/Red-Tent-Anita-Diamant/dp/0312195516), taking something from the Bible and providing us with more insight into the characters and why they do what they do. It kind of moves a little bit in that direction, but it's still very much a "this happened, and then this happened, and X told Y to do this and Y did it" type of thing, of the kind where you constantly go "hang on! Why on Earth did X agree to do it?". I found it very distancing, and found it hard to really care about what was going on.

I did think, however, that it was a clever book, and I enjoyed its exploration of what the truth is, and whether a more apt fiction can be more truthful than reality. Still, I think I probably would have appreciated it more if I was a bit more familiar with the New Testament, but alas, my religious instruction ended as soon as I was old enough to decide such things on my own. My knowledge of the Bible is a child's, plus whatever I've managed to absorb as a grown-up without really trying. This meant I probably caught only a fraction of the clever twists.

It feels a bit churlish, but given that in this blog I rate books purely for my enjoyment of them, and that my main reaction to this one was: "so what?", it's not a great grade.

MY GRADE: A C.

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His, Unexpectedly, by Susan Fox

>> Monday, January 23, 2012

TITLE: His, Unexpectedly
AUTHOR: Susan Fox

COPYRIGHT: 2011
PAGES: 320
PUBLISHER: Brava

SETTING: Contemporary US and Canada
TYPE: Romance
SERIES: 3rd in the Wild Ride to Love series

Shying away from commitment, Jenna Fallon has only one rule in life: to ignore the rules. So when her car breaks down en route to Vancouver and she's forced to hitch a ride with a sexy stranger, she's thrilled to discover they share the same no-holds-barred views...As a globe-trotting marine biologist, Mark Chambers is used to changing locations - and women. Yet as he and Jenna make their way up the Pacific coast, camping, skinny dipping, and having scorching hot sex, Mark's not so sure he wants to say goodbye. But is Jenna brave enough to meet the challenge of a man who may be perfect for her?
This series, by Susan Fox/Lyons, has been one of my best discoveries this past year. The link is three sisters travelling home to their youngest sister's wedding and finding love in the process, in planes, trains and automobiles. Fun premise, but the wonderful thing about the books is that Fox takes full advantage of the prolonged proximity inherent in a road romance, and gives us heroes and heroines who actually talk to each other. By the end of each book, I was completely convinced that the couple in question would make it and that they were perfect for each other.

The other brilliant thing about this particular book in the series is that it features a heroine unlike any other I've read in romance novels. Jenna is a true free spirit, and not a ditz. As the book starts, she's just spent a few months on one of the many projects she's been interested in over the years -in this case, volunteering in a project to count peregrine falcons- and is on the way home. But then her beloved ancient car breaks down, and she lacks the money to fix it. Of course, she could phone home and borrow some money, but that would generate yet another 'I-told-you-so' from her family. Fortunately, she just happens to meet a man heading the same way in a camper van, and ends up hitching a ride.

That man is marine biologist Dr. Mark Chambers, and at first sight, he couldn't be more different from Jenna. He grew up with a hippy mother who raised him in a really crappy commune. It wasn't the kind of commune where children are raised by a whole village; it was one where the adults selfishly concentrated on their own pleasure and the children weren't raised at all. Not a very safe or happy environment, so when Mark's mother died and he went back to his very strict, traditional grandparents, he relished the structure in the new life, and has become very much like them, rigid and inflexible. His first impression of Jenna is that she's just like his mother, and he's therefore not particularly well-disposed towards her.

But the great thing about this book is that it's soon quite clear that while Jenna and Mark are superficially opposites, they actually share very similar outlooks and want lives for themselves that aren't at all incompatible. They discover this organically, through long conversations, and each encourages the other to have a good, critical look at their preconceptions. Both change during this book, but in healthy way, which means that they are still in essence the same person at the end, only better.

I especially appreciated that Fox doesn't take sides here. Not one way of being is pushed as being better than the other. With Jenna, for instance, it was clear that Fox wasn't saying that there's any thing wrong with being unconventional. Jenna is not made into a cookie-cutter heroine, even at the end. Her big issue is commitment-phobia, and the more extreme elements of this can be traced to a traumatic relationship in her youth, but this doesn't mean falling in love with Mark means she's "cured" and now wants a white picket fence and a 9-to-5 job. Nope, Jenna is still as much of a free spirit at the end as she was at the beginning, she's just learnt that committing to something doesn't have to mean loss of freedom, as long as you choose a person to commit to who wants the same kind of life that you do. She's still Jenna, and Mark is still Mark, even as he learns to appreciate life more and to accept other people.

In addition to a fantastic romance, His, Unexpectedly also provides excellent family drama. Jenna's relationship with her family is quite a fraught one. There's a great deal of both love and pain, there, showing perfectly well that those you love are the ones that can hurt you the most. This family of overachievers needs to appreciate their daughter, who feels that whatever she does, her judgment is questioned and any mistake (unavoidable, for an adventurous person such as Jenna) is seen as a character flaw. They need to learn that what Jenna does is also valuable, and this is what her relationship with Mark gives to Jenna, that self-knowledge. It was especially satisfying that we've seen over the entire series that Jenna is not the only one to feel that way, and matters come to a real head in this book.

This is a deceptively deep, meaty book, as it's also very fun and sexy at the same time. The big emotions kind of sneak up on you, and it made me choke up much more than supposedly "tragic" books do.

MY GRADE: An A-.

PS - Having just finished my review, I went to have a look at the one at AAR, and the reviewer mentions that the big flaw for her was the structure, with alternating chapters being written in 1st person, from Jenna's POV, and 3rd person, from Mark's. So I probably should mention this, in case anyone has got any hang-ups about it. It's not something that bothered me in the least -actually, I quite liked it, myself!

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When Beauty Tamed the Beast, by Eloisa James

>> Saturday, January 21, 2012

TITLE: When Beauty Tamed the Beast
AUTHOR: Eloisa James

COPYRIGHT: 2011
PAGES: 384
PUBLISHER: Avon

SETTING: Early 19th century England and Wales
TYPE: Romance
SERIES: None

Miss Linnet Berry Thrynne is a Beauty... Naturally, she's betrothed to a Beast.

Piers Yelverton, Earl of Marchant, lives in a castle in Wales where, it is rumored, his bad temper flays everyone he crosses. And rumor also has it that a wound has left the earl immune to the charms of any woman.

Linnet is not just any woman.

She is more than merely lovely: her wit and charm brought a prince to his knees. She estimates the earl will fall madly in love—in just two weeks.

Yet Linnet has no idea of the danger posed to her own heart by a man who may never love her in return.
After a ridiculous misunderstanding involving a prince, some innocent kisses and an ill-fitting dress that makes her look pregnant, Linnet Thrynne is ruined. She might still be a virgin, but no one will believe it. All seems lost until Linnet's aunt comes up with a way to actually take advantage of the misunderstanding: the Duke of Windebank's eldest son is rumoured to be impotent, so a bride with heir included would be a bonus. And that is how Linnet finds herself bundled off to a remote castle in Wales, which Piers, the Duke's heir, has set up a sort of teaching hospital.

Piers is a brilliant doctor, doesn't suffer fools gladly and his natural grumpiness isn't improved by the constant pain from his leg, which forces him to rely on a cane. Does this sound familiar at all? I don't tend to watch much TV, but House MD has been the exception since my brother forced me to watch the first episode (I'm still catching up and hovering somewhere round the end of season 2, so there might be some references here that I missed). Anyway, Piers isn't impressed with his father's meddling, and no matter how attractive his "fiancee" is, he won't give his father what he wants (the two share quite a painful history). But Linnet is unlike any other beautiful woman he's met before, and she gives as good as she gets, which he finds extremely appealing...

This was fun. I thought things kind of collapsed in the last third or so, but I enjoyed the first parts quite a bit. I especially had fun with the whole House thing. It's taken to just the right point... a grumpy but brilliant doctor, with a bad leg and an extremely sarcastic tongue, but that's it. It's inspiration, not an extra episode of House set in the 19th century.

I also liked how James mixed this inspiration with Beauty and the Beast. In that context, the setting that is more fantasy historical than proper historical romance was perfect. It feels "period", but James doesn't particularly concern herself with historical plausibility (I mean, having an Earl and a marriageable miss constantly disappear off for naked swimming lessons? Really?). But it was all so vivid and fun that I didn't care.

Now, the romance I had some doubts about. I enjoyed the banter, but on reflection, I realise I just didn't find the relationship particularly romantic. There was something about the way they constantly traded insults that went a teeny bit too far for me to find it romantic, I guess, even though I recognised this was just right for these clever, cerebral and unsentimental people. Well, clever and cerebral except for Piers' stubborn refusal to grab what he wants just to spite his father. That was extremely out of character, and got very tedious.

And things weren't much better in the believable romance front with the secondary romance between Piers' estranged parents. Basically, there was so much painful history there that I felt it wasn't developed enough, and would have needed either more page time or to be cut completely. I think I've had similar reactions to previous Eloisa James books as well: I feel somehow distanced from her characters and enjoy the books more for the comedy of manners than for the romance. Fortunately, I enjoy this aspect quite a lot.

What I didn't much enjoy was the ending. I didn't think it really went with the rest of the book. Suddenly it's all melodrama and Peril of Death, and it left me scratching my head.

Still, an entertaining read, if not a particularly memorable one.

MY GRADE: A B, mostly on the strength of the humour and Ms. James' writing, which is beautiful.

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The Physick Book of Deliverance Dane, by Katherine Howe

>> Thursday, January 19, 2012

TITLE: The Physick Book of Deliverance Dane
AUTHOR: Katherine Howe

COPYRIGHT: 2009
PAGES: 384
PUBLISHER: Voice

SETTING: Contemporary US
TYPE: Fiction
SERIES: None

"Have you not considered the distinct possibility that the accused were simply guilty of witchcraft?"

Connie Goodwin thinks her academic advisor is teasing her; she has mastered the scholarship surrounding the Salem witch trials of 1692 and knows the question he poses is preposterous. She never suspects that answering it will alter everything she knows about the past, her family, and the professor himself.

Sent by her mother to prepare her long-deceased grandmother's home for sale, Connie Goodwin finds a decrepit dwelling filled with venerable oddities, including a collection of ancient bottles filled with peculiar liquids and powders. On her first night there, Connie chances on a crumbling bit of paper, bearing the words "Deliverance Dane," that has been carefully hidden inside a key tucked between the pages of a 300-year-old family Bible.

Combing the local church registry for traces of this mysterious name, Connie strikes up an acquaintance with Sam, a steeplejack engaged in the church s preservation. Together they piece together Deliverance's tragic story and learn of her precious book of spells and recipes for healing potions. When a series of sinister events threaten Sam's life, Connie's search for the book is transformed from scholarly pursuit to a matter of life and death -- and love.
I'm forever on the lookout for books that remind me of Barbara Michaels', but I stumbled upon this one completely by accident. I'm very glad I did. Although flawed, it was tremendously enjoyable and dealt with a historical period I didn't know all that much about and found fascinating.

Connie Goodwin has just passed the interrogation that's officially made her a doctoral candidate. All she needs now is a dissertation topic, something that interests her and that relies on original sources. Little does she know, when her mother asks her to clear out her late grandmother's house, that the perfect source material will be right there.

The house, in the small town of Marblehead, near Salem, is a bit of a hovel, and the job of sorting out valuables before the house can be sold seems monumental. But Connie is naturally drawn to the old books first, and it's there that she finds her first reference to "Deliverance Dane". Tugging at that first loose thread soon leads her to suspect that the mysterious Deliverance might have been a previously unknown woman involved in the Salem witch trials, and that she might have owned a book of spells that could still be out there. And since no book of spells from the time has ever been found, the potential is huge for a dissertation topic that will really get her well and truly started in her career.

With the help of a young man who befriends her, Connie begins the painstaking investigative work that she hopes will lead her to Deliverance Dane's book. But it's not all plain sailing: her dissertation supervisor is showing an unhealthily intense interest in her search, and after a while, Connie can't help but suspect that there is more to Deliverance's book than women writing out old wives' cures and playing at being witches.

I absolutely love the setup of having someone in the present investigating a story from the past, with the action moving between the two periods, but so very few authors do it well and get the balance right. Howe is one of those few. The action takes place mostly in the present, with the sparse sections set at the times of Deliverance and her descendents exactly enough to enrich the investigation and mirror and illustrate some of the developments in Connie's story.

I also loved that Connie had to do proper detective work to uncover what had gone on in Deliverance's time. The last few books I read with this setup (by Rachel Hore, whose ideas I like but whose execution I often find a bit disappointing) had the present-day protagonist just stumbling on stuff, and then doing nothing more strenuous than reading a diary. Connie isn't so lucky. She has to follow up on all sorts of sources, and since the book is set in 1991, this doesn't mean just going online and running a few searches. She needs to actually visit a variety of places and consult a whole lot of potential documents, from church archives to probate records, and when she does find something, she needs to interpret and decode what ambiguous records might mean and imply.

The only problem there was that, much as I liked the detective work, I think Howe underestimates her readers slightly, and unfortunately, Connie comes off as a bit of an idiot sometimes for not making the obvious connections. She's a doctoral candidate specialising in colonial history, for goodness sake, would it really take her so long to make the connection between an "Almanack" someone was really upset had been given away and the spellbook she was specifically reading that material to try to find? Plus, she's a little bit too trusting with her supervisor sometimes.

I was also a bit nonplussed by the direction in which Howe took her story, with certain things being a lot more real than I'd expected (hope I'm not being too obvious when I'm trying to be cryptic!). It wasn't that I didn't like it, really, more that I was expecting something different, both from what I'd heard about the book and from the sections I'd read. It was... interesting, I guess, but I thought if Howe had kept in the direction I was expecting, she might have had something even more fascinating.

Something I really ended up liking, though were the relationships in the book. There are a few false steps in the characterisations at the beginning, with people sounding a bit off (like, Connie is telling her new friend Sam about witches' brooms, and tells him that "a medieval witch on her way to a sabbath would strip off all her clothes". And Howe tells us that Sam "blanched" at that. Really? Really? The idea of a woman stripping off makes this actually quite lovely guy, untraditional enough to wear a nose ring, blanch?). It's minor stuff, but it was a bit distracting. However, Howe soon hits her stride, and things feel much more natural. I liked Connie and Sam's romance, but I think my favourite was the way Howe develops the concept of mother-daughter relationships, both through the way Connie and her initially stereotypically flaky New-Ager mum start to understand each other better, and through what we see in the historical sections.

All in all, the strengths were enough to make the weaknesses seem relatively unimportant, and I would recommend this.

MY GRADE: A B+.

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Snapped, by Laura Griffin

>> Tuesday, January 17, 2012

TITLE: Snapped
AUTHOR: Laura Griffin

COPYRIGHT: 2011
PAGES: 432
PUBLISHER: Pocket Star

SETTING: Contemporary
TYPE: Romantic Suspense
SERIES: Book 4 in the Tracers series

SOPHIE BARRETT THINKS SHE'S LUCKY TO BE ALIVE. SHE MAY BE DEAD WRONG.

On a sweltering summer afternoon, Sophie Barrett walks into a nightmare. A sniper has opened fire on a college campus. When the carnage is over, three people-plus the shooter-are dead and dozens more are injured. Sophie escapes virtually unscathed. Yet as details emerge from the investigation, she becomes convinced that this wasn't the random, senseless act it appeared to be. No one wants to believe her-not the cops, not her colleagues at the Delphi Center crime lab, and definitely not Jonah Macon, the homicide detective who's already saved her life once.

Jonah has all kinds of reasons for hoping Sophie is mistaken. Involving himself with a key witness could derail an already messy investigation, not to mention jeopardize his career. But Sophie is as determined and fearless as she is sexy. If he can't resist her, he can at least swear to protect her. Because if Sophie is right, she's made herself the target of a killer without a conscience. And the real terror is only just beginning...
Sophie Barrett is a receptionist at the Delphi Crime Centre lab, but she wants to get ready for bigger and better things. Thus her midday visit to the local university, where she plans to enroll in some courses. She never makes it, though, since someone starts shooting in the university quad. It soon becomes clear that it's a sniper, shooting from up high. Still, in time, the cops get to him, and he kills himself. And when the autopsy shows a brain tumor, that's basically case closed for the police.

Not for Sophie, though, because she saw something that makes her feel sure that the shooter-driven-crazy-by-tumor-kills-random-strangers explanation is not the right one. Unfortunately, the police don't seem to believe her, not even Jonah Macon, the police detective she knows already and thought liked her.

The suspense plot starts out really fantastic. I was intrigued by it, really wanted to know what had happened. The clues came out in a natural way, and I enjoyed the way the cops conducted the investigation. There were quite a few other cops, apart from Jonah (I suspect their books will come out at some point soon), and all played key parts in the investigation.

Unfortunately, when the ending approached, this all got a lot less interesting. I didn't find the resolution particularly credible (in fact, I found the whole idea of it faintly ridiculous and the reasons for this fantastic plot pretty pedestrian). It ended up being a bit disappointing.

The romance was a bit boring as well. There seems to be a lot of history between Sophie and Jonah, which means that Griffin doesn't really develop their relationship much at the beginning. It just is, instantly. I think a lot of this development would have happened in the book I read, Unforgivable. Problem is, I just didn't remember this. I read it a year ago, and whatever happened between Sophie and Jonah, it wasn't interesting or intriguing enough to stick in my mind. Same thing for something bad that happens to Sophie in that book and that influences her character and behaviour a lot: that one at least I very vaguely remember, but I wanted a bit more, and Griffin didn't really catch us up.

Anyway, whatever development there is in the relationship here, it just didn't interest me much. It's a very tepid romance, and not one I believed in particularly. Not surprising, since I didn't find the characters individually too interesting, either.

MY GRADE: A C+, but almost a B-, due to the good suspense plot at the beginning.

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New York To Dallas, by JD Robb

>> Sunday, January 15, 2012

TITLE: New York To Dallas
AUTHOR: JD Robb

COPYRIGHT: 2011
PAGES: 416
PUBLISHER: Putnam

SETTING: 2060s New York
TYPE: Romantic suspense / Police procedural
SERIES: 34th full-length novel in the In Death series

The new novel from the #1 New York Times-bestselling author, which takes readers deeper into the mind of Eve Dallas than ever before.

The number-one New York Times-bestselling author J. D. Robb presents an intense and terrifying new case for New York homicide cop Eve Dallas, one that will take her all the way to the city that gave her her name-and plunge her into the nightmares of her childhood.

When a monster named Isaac McQueen-taken down by Eve back in her uniform days-escapes from Rikers, he has two things in mind. One is to pick up where he left off, abducting young victims and leaving them scarred in both mind and body. The other is to get revenge on the woman who stopped him all those years ago.
This new installment in the In Death series comes with a title that breaks the pattern of the previous ones, but with a plot that doesn't. It provides quite a lot more than recent books on the personal front, but it's still very much an In Death book.

Back in Eve's rookie days, when she was still a beat cop, she accidentally stumbled upon the lair of Isaac McQueen, a pedophile who liked to "collect" young girls. A routine round of door-knocking after a purse-snatching on the street below led to McQueen's apprehension. Eve's perceptiveness in realising something was not quite right when she knocked on McQueen's door, as well as her success in capturing him, brought her to Feeney's notice in Homicide, and the rest is history.

It's not history to McQueen, though, and when he breaks out of prison, determined to recreate his collection, he plans to also get his revenge on the cop who got him. Not only will he kill Eve, he will mess with her head by forcing her to face him in Dallas, the city that looms so large in her childhood memories.

With this series, it often feels like there are two separate aspects. There's the police procedural aspect and there's the personal, relationship stuff. The best books marry the two well and make each as strong as the other, while the merely good concentrate on one of the two elements. This one is of the former type.

The case is really well done. It's stomach-turning, but the way Eve and her team approach the investigation is solidly enjoyable, and McQueen himself might be vile, but he's vile in an interesting way.

But it's the way that the investigation and the case itself affect Eve that is even more fascinating. If you've been following this series, you'll guess that a case such as this one will prove particularly difficult for Eve to handle, given her past. And when you add the fact that she's had to do this in Dallas, and that this is because McQueen knows of her past, it's especially bad for her. There is quite a big revelation here, and while not particularly shocking (I guess the change in titles had me looking for a big shock somewhere), it was very, very good.

And lest I sound like a sadist, gloating at how Eve suffers, it's the way she and Roarke deal with all this that makes it great. They might not have been married for that long, despite the tens of books, but they're miles from where they were when Eve's past first started to emerge. They are a unit now, and the trust and caring make things bearable that wouldn't have been otherwise.

MY GRADE: A solid B+.

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Blue-Eyed Devil, by Lisa Kleypas

>> Friday, January 13, 2012

TITLE: Blue-Eyed Devil
AUTHOR: Lisa Kleypas

COPYRIGHT: 2008
PAGES: 352
PUBLISHER: St. Martin's

SETTING: Contemporary
TYPE: Romance
SERIES: Follows Sugar Daddy

His name is Hardy Cates. He’s a self-made millionaire who comes from the wrong side of the tracks. He’s made enemies in the rough-and-tumble ride to the top of Houston’s oil industry. He’s got hot blood in his veins. And vengeance on his mind.

She’s Haven Travis. Despite her family’s money, she refuses to set out on the path they’ve chosen for her. But when Haven marries a man her family disapproves of, her life is set on a new and dangerous course.

Two years have gone by. Now Haven has come home. This time, she is determined to guard her heart. And Hardy Cates, a family enemy, is the last person she needs darkening her door—or setting her soul on fire.
This was the most disappointing book I read during my holidays. I'd had a few smallish issues with Sugar Daddy, but mostly, I'd enjoyed it quite a bit. And I'd been very intrigued by Hardy, and looked forward to his story. However, while very readable, Blue-Eyed Devil made me want to bang it against the wall too many times.

Haven Travis and Hardy Cates meet on the day of Haven's brother's wedding. Haven is there with her boyfriend, Nick, but can't help but notice the very magnetic Hardy as soon as he comes in. Due to a misunderstanding, they find themselves in a darkened room and share a passionate kiss, with Haven mistaking Hardy for her boyfriend for much of it (obviously, she wonders why this kiss is turning her on much more than usual, duh!).

Haven does realise who she's kissing after a while, though, and is soon devastated to hear that Hardy is gatecrashing the wedding, and is a former friend of her sister-in-law, who tried to steal her away from her now-husband. Obviously, Haven thinks, Hardy was trying to get revenge on her brother when he kissed her.

The shock makes her even more committed to marrying her boyfriend, even though her family disapproves and her father threatens to cut her off if she does. The ensuing isolation from her family means that when her husband starts being abusive towards her, Haven doesn't feel she has anyone to turn to, and endures the situation for years, while Nick methodically destroys her self-esteem and her entire life.

But finally, Haven gets out of it, and before too long, Hardy is back in her life, determined not to accept no for an answer.

I had many, many issues with BED. The main one is probably how unconvincing I found Haven as a character. The book is narrated from her 1st-person point of view, and we are with her as she goes through her abusive relationship, with a husband who first tears her self-esteem to pieces with constant criticism and verbal abuse and then moves on to physical violence. I got the feeling Kleypas had done her research about abusers and what a believable MO would be and had built Haven and Nick's relationship accordingly. And I still didn't buy it for a minute. I think it was that it felt too step-by-step, more some sort of "typical" abuse story than the story of this particular character. This meant that I never completely understood why Haven would not have done something earlier. Kleypas had set it up to show why, Haven was telling me exactly why, in perfect therapy-speak, and I wasn't buying it. I think this is a section of the story that would have worked a lot better as a flashback, with it being hidden from the reader at the beginning, to create some tension about why Haven was not comfortable with Hardy.

I also felt very frustrated and disbelieving of Haven's tolerance of the situation she finds herself in when she gets her first job after that, working for her brother's company. Basically, her line manager is the female equivalent of her abusive husband. And Haven knows it immediately. By then, she has began to recover from her earlier experiences and done quite a bit of therapy, so when it starts, she doesn't blame herself, or anything. She realises pretty quickly that the woman is gaslighting her, critisising her constantly for nothing, putting her down, doing things like hiding files and then telling Haven off for being disorganised when they turn up in weird places, telling her to come to a meeting at 1.30 and then swearing she said 1 when Haven turns up half an hour late, that kind of thing. And Haven just goes with it. Haven talks about it with her therapist, but doesn't complain to her brother, doesn't stand up to the woman. Someone else has to do it for her. I wanted to smack Haven and tell her to stop being a doormat. Why on earth doesn't she just quit? She doesn't need the money, she doesn't need to put up with this. And don't tell me she doesn't want to be a spoilt rich girl who doesn't earn anything she gets, because that's exactly who she is here. Other than those two years with Nick, she's perfectly happy to be handed everything. Plus, I also couldn't believe the evil boss' behaviour. Haven was her own boss' sister, after all. Wouldn't such a person be more likely to assume Haven would complain, and suck up to her instead?

But it wasn't only Haven I had trouble with. I also found Hardy completely uninteresting here. He's at the same time arrogant and high-handed and sexist, and too, too perfect in understanding of Haven and her issues (except for one small misstep which I thought was well done). There was nothing interesting at all. He was an amazing character in Sugar Daddy, but I didn't recognise that character at all in BED. His behaviour in Sugar Daddy, right at the end, made me think that his book was going to be about whether the right woman would make Hardy chose her over his overwhelming ambition. This was presented as the big issue with him. But in BED... what ambition? This was a complete non-issue, and his big rivalry with the Travises was over with a whimper. The book was about something completely different, and I found this a lot less interesting.

What made me go from disinterest to outright dislike, though, was a tiny bit which was just glossed over by Kleypas and stopped me in my tracks. At one point Hardy talks about his brother and says the man is taking after his father, who we know (and he's just mentioned) has a history of sexual assault, and that he had to bail him out earlier and pay off a girl's family to keep them from pressing charges. And that's not supposed to be an issue at all, as far as Kleypas is concerned. This utter asshole, who enables his brother in continuing to be able to commit more rapes is still the hero of this book. Unbelievable.

The book also felt very old-fashioned in many ways. Haven's lack of experience was yet another way in which she was completely unbelievable. It was similar with Liberty... well, at least Liberty had been allowed to have a couple of relationships, but they had all been crap until she met the hero, and she, like Haven, was convinced she was awful in bed. Amazing that these books were written in 2007 and 2008, it felt like a holdover from the dark times in romance when even contemporary heroines had to be virgins, whether that was realistic or not.

Additionally, I really disliked what I guess I might describe as the book's sensibility. This was the first book I've ever seen where someone's been described as a "good old boy" and it's a positive. Showing my biases here, but ick! In BED, this kind of man, high-handed and arrogant, convinced he knows what's best for the little woman in his life, is the best kind of man there is, and I absolutely hated it. There was a bit of a whiff of it in Sugar Daddy, which was one of the problems I mentioned I had with it, but it's terribly overt here. It made me want to stop reading every time I came across a particularly bad bit, whether it was something snide about those icky metrosexuals or Hardy showing off his relationship with Haven in front of Nick by patting her bottom (yes, he really did that).

With all those really big problems, should I even mention the really bizarre lecture in the middle of the book about something called rigs-to-reef (some sort of thing where oil companies, instead of bringing in old oil rigs, chop the tops off and leave the in the ocean, for fish to colonise). It had nothing to do with anything, and yet we got a big info-dump about how some environmentalists are against it, but it actually helps fish, and it's not at all about oil companies saving costs. I don't know enough about this to make a judgment, and a lecture in the middle of a romance novel is not going to convince me.

There's a third book in the series, but I don't think I'm going to read it, even hoping it's more like Sugar Daddy than this one. I had a look on amazon and it starts with a scene between the heroine and her boyfriend, who happens to be a vegan. Given the glorification here and in Sugar Daddy of unreconstructed machismo, I just know Kleypas' treatment of his veganism is going to enrage me. Tell me, those of you who've read it, is it used to prove that he's less of a man that the manly, steak-eating Jack Travis? I bet it is.

MY GRADE: A D. I really didn't like this.

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